![]() And he’s got a secret - a big one - that could change everything.ĭid we mention Jenkins gets a nude scene? Well, you see him laying on his side with an (age appropriate) lady friend in what’s set up as a sensual post-coital cuddle. He’s got a problem at home that hasn’t yet surfaced. He’s on the outs at work, thanks to all these Thomas Shaw leaks. (Really, “Berlin Station” earns its name here.) More importantly, Frost gets “the third heat” blatantly absent in other characters. Sure, there’s a blunt visual metaphor repeated throughout the episode to varying effect, but it’s just nice to see a little effort from a production team otherwise content to showcase its admittedly appealing Berlin-based locations. Shifting perspective to the station chief rather than his lackluster agents, we get an inside look at the inner turmoil wreaking havoc within Frost. … Even if Episode 3 does make a strong case for more Richard Jenkins. READ MORE: ‘The Ranch’ Review: Season 1, Part 2 Buries An Epic American Tragedy in An Ignorant, Awful Sitcom Things pick up a bit later on, but it’s not enough to redeem the series. Alas, the ineffective introduction of characters combined with a general lack of visceral energy drag down the show long enough for viewers to lose interest. How is he getting his information? Who’s feeding it to him? What damaging personal and professional secrets could come out while the spies continue their manhunt?Īll of this sounds like it would make for tense tales of spies hunting spies packed with juicy twists revealed at inopportune hours. Bluntly compared to Edward Snowden (in case the parallel wasn’t obvious already), Shaw has been exposing secrets at a rapid pace and has his eye fixed on agents in the Berlin station. The only clear “good guy” is Armitage’s Daniel Miller, a CIA officer who ends up in Berlin after discovering exclusive information on the agency’s top target: whistleblower Thomas Shaw. Park of the problem is that Jenkins’ character - Steven Frost, the CIA’s station chief in Berlin - isn’t our main protagonist. Through four hours of the 10-episode first season, only one need is truly clear: Richard Jenkins needs to have more sex. There’s a lot of exposition very clearly pointed toward real-world politics in the opening hour, but the show’s commentary is largely muted by contradictory choices in later episodes. “ Berlin Station,” the first original drama series from EPIX, has too little thrills of any kind. The best of the genre usually links the two together: The thrill of the chase and satisfaction of success can be found on the streets and in the sheets. Many also incorporate varying degrees of sensuality - your “Americans,” your “Night Managers” - as the mentally strenuous life of a spy can lead to physically exhausting nighttime excursions. Even more action-heavy espionage tales - your “Homelands,” your James Bonds - light a fuse with their lengthy scenes of stalking, talking and traditional spy-craft. Guided by veteran Hector DeJean, Daniel learns to contend with the rough-and-tumble world of the field agent: agent-running, deception, the dangers and moral compromises.Spy dramas are a delicate balance of tactical thinking and explosive action, with the latter typically going down far less often than the former. Meyer has a clandestine mission: to uncover the source of a leak who has supplied information to a now-famous whistleblower named Thomas Shaw. s02e09 - Winners Right the History Booksįollows Daniel Meyer/Miller, who has just arrived at the CIA foreign station in Berlin, Germany.s02e01 - Everything's Gonna Be Alt-Right.Meanwhile, Robert and Frost make plans to investigate the money trail behind the PfD's nefarious dealings. The Station's sting operation to catch the Far Right in an arms deal goes horribly awry, with Otto Ganz escaping. ![]()
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